Features:
Volume – Controls the overall output of the device – the output of both circuits are controlled in parallel by this control.
Tone – This is more like a presence control than a tone ( don’t ask why we didn’t call it presence) – and like the volume dial
both circuits run through it – a parallel tone control! (Presence control “ Be quiet man……
you told them it was a tone control”) It works backwards, by the way.
Gain A – This sets the distortion/OD level of the first circuit – it’s a really biting, crunchy sound with masses of dynamic scope – set it
really low and the guitar sounds almost clean, wind it fully clockwise and you’re suddenly moved to uncontrollable head banging,
power chording, 8th note chugging, metal. Yussssssssssss.
Gain B – This sets the distortion /OD level of the second circuit. This one is bitey too but it has a mid range punch and spank.
Like it’s brother, Gain B can clean up and then get down and dirty when turned clockwise.
Alchemy – This is where things get rather interesting. The alchemy control enables you to blend between to the two separate
circuits – Fully anticlockwise gives you only Gain A, fully clockwise gives you only Gain B. Set it anywhere in between
and you are now creating your own unique combination. Now try this (You can’t see it, but I’m actually shaking
with anticipation ….) set Gain A to a really clean setting – around 7 o’clock, then set Gain B to a dirtier
setting, round 12 o’clcock, now set the Alchemy control fully counter clockwise. Now play – you’ll just
hear the clean sound of Gain A. Now gradually wind the Alchemy control around clockwise – to say
9 o’clock – LISTEN! Clean and dirty! Dial up any variation of the two channels and their
respective gain levels - an almost limitless palate with which to create your own unique sound!
Shiny Chrome Footswitch - Bring the effect into the signal path by clicking this one. Truebypass switching.
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